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The George in Rye Wedding Fair

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Dale Weeks Photography

Perfecting the art of walking backwards since 2013.
hello@daleweeksphotography.co.uk

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// This post is a little bit about me. I take pho

// This post is a little bit about me.

I take photographs because I have to. Sure, it pays the bills and keeps the lights on—but in the way that some people need to write, or build, or take things apart just to see how they work, photography is that for me. A way of understanding the world.

I've spent over a decade behind the camera, shooting weddings, portraits, moments that would have disappeared if I hadn’t been there to catch them. 400+ weddings, 10,000+ hours, and still, I’m chasing the feeling of getting it just right. The kind of photo that stops time—not because it’s perfect, but because it feels like something.

I don’t do excess. No over-posing, no twenty takes of the same moment. Just enough to know I got it, then I move on. Trusting the instinct I’ve spent years sharpening.

You won’t find me using words like "luxury" or "timeless storytelling." That’s not my lane. But if you want images that hit somewhere between a memory and an old movie still, the kind that feel like they were always meant to exist—then you’re in the right place...

// A wedding that felt like an escape. Sun-drenche

// A wedding that felt like an escape. Sun-drenched fields, wildflowers climbing stone walls, and a day that stretched long into the golden hour.
@nancarrowfarm has this way of making time slow down - of turning a wedding into something more like a gathering, a reunion, a moment outside of time.
This one stayed with me. Maybe it was the dress swaying in a tree, the smell of woodsmoke drifting in the warm air, or the way laughter carried across the courtyard. Whatever it was, I tried to bottle it all up in photographs.

See the full story on the blog. 🌿✨

// London weddings have this rhythm. Movement, co

// London weddings have this rhythm.
Movement, contrast, fleeting moments in alleyways and sunlit streets. Candlelight flickers against old walls. The clink of glasses somewhere in the background. The kind of day that doesn’t need to be micromanaged—it just happens, and it’s perfect.

The best part? They were in it. Not performing, not posing—just living.

That’s the stuff I’ll always chase.

// The George in Rye woke up fast—heels on wood,

// The George in Rye woke up fast—heels on wood, dresses flying, makeup brushes working overtime. By noon, wedding fever hit. Models in gowns, flowers in full bloom, and couples soaking it all in—some playing it cool, others clutching brochures like blueprints for the perfect day.

Big love to the legends who made it happen: florists, bakers, dressmakers, and planners, all running on caffeine and sheer talent. If you saw someone sprinting with a bouquet or setting down a three-tier cake like it was made of glass, that was them. Pros through and through.

Looking forward to sending out brochures soon—if we chatted, check your inbox this week!

📸 Full write-up & vendor list on the blog now: The George in Rye Wedding Fair

@georgeweddings
@lucymeyermakeupartist_
@markcaffreyceremonies_
@bridalboutiqueofjules
@flowers.in.rye
@bohotany
@emilysmixingbowl
@brassphotobooth
@wjbennettrye

// A wedding, but with Wes Anderson blocking, Lond

// A wedding, but with Wes Anderson blocking, London grime, and a bride who sinks a hole-in-one before the first dance. Love, but make it weird and wonderful."

// City sings, doors swing, shuttered light on met

// City sings, doors swing,
shuttered light on metal curves,
laughter in the street.

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